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Mayhem ensued when, at the London show, a verse into Little Richard's ' Tutti Frutti,' Brian May emerged from the wings to let rip on guitar, sticking around as Roger and band then went into the Taylor composition ' A Kind Of Magic.' And with the crowd still giddy, Roger's ' Radio Gaga' closed out the evening, with everybody happily doing the time-honoured raised handclaps routine. Additional peaks include the gorgeous ' Under Pressure,' which really did burn the building down and kick our brains 'round the floor. Along the way, ' Tenement Funster' reminds us of when you're 'young and you're crazy', and another Taylor composition ' These Are The Days Of Our Lives' exudes soul without excess sentiment. 'I don't try and sound like Queen or not like Queen,' Roger has said of The Outsider songs, 'I just want it to be me.' Yet by the time of the encores during this tour, life-affirming cover versions of his old pal and collaborator David Bowie's anthem ' Heroes' and Led Zeppelin's raucous ' Rock'N'Roll' were raising the roof, giving an insight into Taylor's tastes. He's a great frontman too – even on stage, I was starstruck! We all had such fun playing together, and I think the crowd could tell.' 'I can still clobber away but I like to think I clobber with more subtlety these days!' And as multi-instrumentalist Tina Keys has said, 'Roger's beautiful voice seems to get better with age.

'While I'm still able to do it, I really want to embrace it,' he's said.

Taylor's voice, as we'd long known from his Queen contributions, was effortlessly emotive, and when he stepped back from the microphone to take a shift behind the drumkit (duelling with Tyler Warren), he brought home every kind of magic. Whether Taylor was diving into his solo body of work for a jewel like ' Up' or revisiting regal peaks such as ' I'm In Love With My Car,' or bringing us bang up-to-date with the searingly truthful ' Gangsters Are Running The World,' this set was a masterclass in reminding us of the songwriting skill that has matched his achievements as one music's most celebrated drummers.

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With an extraordinary band featuring keyboard player Spike Edney, drummer Tyler Warren, multi-instrumentalist Tina Keys, Neil Fairclough, bass, and Christian Mendoza, guitar, plus (in London) a grand finale guest spot from one Brian May – 'my brother from another mother!' hollered Taylor onstage - the tour caught a mood… and caught fire. ' Foreign Sand' is delivered in a simple acoustic guitar accompanied version.

Yet these performances come across as fresh, alert and motivated.Īnd Taylor knows when to introduce a breather into the finely-tuned balance of drum force and power vocals and quiet reflection, delivering genuine lump in the throat moments with the solemnity of ' Say It's Not True' – his song addressing the terror of a positive HIV diagnosis (recorded to support the Nelson Mandela 46664 AIDS action campaign), and his Electric Fire album cut ' Surrender,' in which he takes on the subject of domestic abuse.

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With a smartly gauged set list blending the new material with irresistible Queen classics and a glorious revisiting of his six-album strong solo catalog, Taylor's gigs proved a masterclass in how to thrill an audience by finding the sweet spot which marries the shock of the new and the hysteria of rock's history.Īs a member of Queen and through his well-received achievements beyond the band, Taylor has blown up musical genres, broken records and been rhapsodised for five decades.